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Thursday, April 30, 2026

 

The Long Road to Partizan

Too Busy to Blog!

I had a fantastic time at Partizan last year. It was my first time at the show, and I was very pleased and extremely surprised when we won the Duncan McFarlane Award for the best demo game with our Robin Hood Ruckus game. I was doubly surprised to win this award as due to RL issues we had very little time to prepare and used the same mat and terrain as we game with every week however Wi lent us a rather fine castle at the last moment, and I believe it was this eye catching piece of terrain that won the day.

I was determined that this time we should produce something a bit more bespoke, crafted for the moment as you might say. But what game should we take?

I have been collecting Reivers figures from Flags of War for some while now and they are beautiful sculpts by Rob McFarlane, lovely to paint although the low relief and normal human proportions means that they require a small brush and intense concentration to get the faces right. In the FoW range is the Queens Envoy, a figure that bears more than a passing resemblance to a certain sarcastic, conniving, wheedling TV character from a popular Renaissance comedy and of course his rather scruffy side kick who can be counted on to come up with a Cunning Plan.



So…this year we are going to present a Ruckus of Reivery, a game of high skullduggery set in the Borders in the 16th Century involving a plot to ambush and kidnap the Queens Envoy on his way to the Regent with a proposal from Queen Elizabeth.

I mentally listed the different aspects of the game and what we would need to buy and prepare. Figures- we had a plentiful supply of FoW and the Assault Group. Buildings- I wanted a Bastle House and Pele Tower. Ruckusteer Chris Bailey, a 3d printing wizard, found just what we need and printed them. Terrain- Hills I have one old hill made from plaster and wallpaper nearly forty years go and I thought a second would be good. I had seen a pic of Smailholm Tower perched on an outcrop of rock and it looks so dramatic I thought I should create something similar.


Smailholm

And... a mat I wanted something bespoke and impressive. With a built in road. 







The Mat

I had a rough idea of how to proceed, for some time now I have wanted to create a teddy bear mat like the one that James Morris knocked up a few years back and so I bought a large piece of green teddy bear fur for this purpose.  However, it looked like a lot of work to convert the rather wiry teddy bear fur, you have to paint it and treat it and comb it and brush it and do all sorts of things and processes.  You can find details about how he made it on his blog https://mogsymakes.net/blog/

And then I found Tobruk models and Terrain on You Tube and he uses Faux Fur which needs less preparation you can see how he does it here

https://www.youtube.com/watch?v=DnU_zG4Er2kS

so I decided to buy faux fur instead. This is very much like a fine fur already, so I thought, less effort. I couldn’t get any in a suitable green colours I bought a 3 metre by 1.5 metre piece of orangey brown from Fabric land for £15. And cut it down to a more manageable size.


I bought a 500ml pot of green acrylic paint from the independent hobby and craft shop Craft and More in Bristol for about £8. I didn’t realise when I bought it that it is actually fabric paint. 









The mat was quite resistant to taking the paint. It has to be well worked in. Initially I mixed some brown into it, but the fur itself lent a brown tone and it looked too muddy so I stopped and just used the neat green. 





I realised I couldn’t do it all in one session as it was soaked with paint. I hung it to dry and regularly returned to it to comb it through and remove the clumps.











then the weather changed. I could not finish the painting so I had look at how the finished mat might look. A folded blanket is taking the place of the second as yet unbuilt hill and there is surrogate piece of paper standing in for the as yet uncreated Bastle House.








I used this picture to map the road and potential stream.

 Red =road

 Yellow =tracks

 Green hatching =forest

 Blue = stream









and then the sun came out again! I finished the mat with the green and hung it to dry

I kept popping back to see how it was doing and each time I gave it a vigorous combing to stop the paint from drying in clumps.








I practiced highlighting the grass on an off cut. I thought it looked pretty effective.



I am quite pleased with the result. 












Also from Craft and More. I found that a little goes a long way.











The best way was to use a very small amount and wipe most of that off before lightly applying it and immediately combing it through. 










The Road Goes Ever On

The You Tube video I watched used an electric razor to shave the mat for the road, nice and easy , quick too.

However, the faux fur was way to fine for that, it didn’t touch it. Neither did any other shaving device that I tried.


My wife suggested these. They were cheap so it was worth a try but struggled to cut the fur and holed it in several places. Luckily , I was testing them on the practice piece. 









I tried painting the mix of caulk and paint and sand directly onto the fur but as it dried I could see it did not look good. It did not look like a road. It looked like faux fur that is matted with paint and caulk and sand.








The only thing that worked was nail scissors. Larger scissors just didn’t have the control. It was hard, laborious, monotonous work that I could only do for an hour or so at a time. 








After half a day of this I had made some progress but I was not sure which direction to take the road. I decided to paint the road in so that I would have a reference.










This seemed like a good idea. I took it into the garden to dry.










Oh dear! That is the brand new wooden floor! Ooops! I hadn’t thought that the paint would soak through!

Luckily it will come off with a bit of alcohol. 








Oh DEAR!!! That is the door curtain which I brushed against carrying out the mat and unfortunately I did not spot so it was very dry by the time my wife saw it later that evening! 

 

  She was ok about it, in fact she laughed! Lets face it if this kind of thing was a problem for her we would never have married.




I used the mix of Burnt Umbre acrylic paint and cheap builders caulk and spread it liberally with an artisty spready tool thing. I hope I cut the fluff back far enough, it still looks a little spikey. 







I spread some ballast and small rocks and patted it into the gunk with my spatula.







It looks ok, I hope it doesn’t flake









I am happy with this. Right, tick that off the list, on to the Pele Tower 






Friday, March 6, 2026


 

Flags of War  pic: BW04 the mounted Grahams and BW 21 the mounted Warden

Border Wars- Under a Reiver Moon

For me and for Ruckus, 2026 will be the year of the Reiver! I have been writing the Ruckus version of these “Pirates on Horseback” for a little while now and some extensive playtesting shows that they work! The Border Reivers, these “Perverse and Crooked People” are perfect for Ruckus. Primitive firearms, basket hilted swash-buckling swords, little shaggy ponies that can run for miles over the worst possible terrain and a penchant for revenge make for some excellent adventures.

I will be presenting a Ruckus of Reivers at Partizan, Attack, Colours, Crack Con and Reveille this year as a Participation and as a Demo game. I will write more on this in a future blog


These warlike aggressive border people fought each other for three hundred years and  created blood feuds that endured for generations if not centuries. Their only real livelihood came from rustling their foes’ cattle and robbing their houses. Any money they accrued they spent on the finest weapons and armour available.  Pic the Hot Trod Angus McBride


Such law that existed in the Region was applied by local Lairds on the Scottish side and Lords designated as March Wardens by Parliament on the English side of the Border. It was ineffective and often corrupt. This all makes for some excellent gaming opportunities.



There are several manufacturers producing appropriate figures Colonel Bills has some lovely quite distinctive figures link here

https://www.colonelbills-store.co.uk/

And so do the Assault Group https://theassaultgroup.co.uk/

But without doubt my favourites are those from Flags of War

I have recently started collecting these marvellous figures and being curious about the origins and thought behind them I contacted Iain McDonald, whose middle name, incidentally, is a Reiver name- Kerr, and we were soon chatting merrily away. Iain is a very friendly, immensely likeable man who is passionate about the hobby and the Reivers history, and an hour passed in what felt like minutes.


From the website- “Flags of War is a small business that began in 2011. It began when I was painting some Covenanters and required some flags. After researching the period, I drew the flags I wanted using my laptop. When folk started to take interest in the flags I made and asking to purchase them I began a small website selling my new flags. Flags of War is now one of the most extensive miniatures wargame flag suppliers in the hobby.”

Flags of War-Border Wars -Under a Reiver Moon is Iain’s own skirmish game of warfare set in the Border regions and is a scenario led, narrative game in a similar vein to Ruckus. The rule book is packed with illustrations, maps and scenarios and is worth purchasing for the history alone,  best of all, Iain has produced an extensive set of characterful metal figures for his game.



Iain says he likes friction heavy elements in his games and thinks that frustration is a more engaging aspect of play than success! He says “I can remember more of the losses than the wins, but then I don’t very often win at my own games”  I know how he feels!



The FOW sculptor is Rob McFarlane who is also responsible for the lovely WGA Conquistadors,  and Iain has plans to produce a Reivers conversions set to use with these figures to make them a closer fit with the historical Reivers. The set would contain Targes, bonnets, alternate helmets and other various pieces. 

The figures are beautiful works of art. They are all characterful but retain a human physique, no giant heads or ham fists here and they appear in a variety of poses and postures.  Weapons and helmets are  faithful copies of the real thing. They are reminiscent of the very wonderful Bloody Miniatures



One of the excellent aspects of this range is that for every Mounted figure there is a dismount. Every Mounted Figure has a unique steed, all the horses are all sculpted slightly differently from each other which I think is another excellent detail.







BW 15 Grahams Mounted. Conscious of the ever-increasing price of metal, the resourceful McDonald has a plan to use the plastic WGA horses alongside metal FoW mounted Galloglass figures to create some Irish cavalry, a plan that will no doubt be welcomed by all who game this era as I know of no one else who does Irish Cavalry.



Iain also plans to produce extra Targes in resin, another welcome idea as the lighter resin shields will be considerably cheaper and more practical than metal and will adhere to a figure much more securely.  







BW 03 Grahams on Foot. Iain is presently working on version 2 of Under a Reivers Moon which will introduce interactive NPC’s  “Angry civilians, Romany Gypsies, a Gypsy Queen, Barber-Surgeons and Spies. These will be activated by Player Characters proximity and will have a predetermined set of actions or reactions and to prevent Players simply avoiding them, will be moved randomly each turn.

The present Reivers range will be increased by 10 -12 figures with “more Bad Guys” and Characters from the novel Dish of Spurs by Robert Low. Set in 1542, this story follows Mintie Henderson and a one-armed, grizzled fighter named Batty Coalhouse navigating the dangerous "Debatable Lands". Iain plans for there also to be an alternative two-armed Batty figure for those Players who wish to play the back story.


BW 14 the Irish. There will be a range of Elizabethan Irish War figures including FoW metal Gallowglass mounted on WGA horse and Elizabethan Soldiers. The existing Irish range, a very lovely set of figures indeed -see my previous blog, will be increased by the addition of more Character types- a Piper, Priests , Lords etc. https://wilgut.blogspot.com/2025/01/flags-of-war-border-wars-fighting-irish.html



The Queens Envoy BW 30 Iain says he has been tempted to extend the Queens Envoy figures with a possible Queen and maybe a certain tall Lord Chamberlain, however he “does not want to get too deep in the fantasy aspect for what is after all an Historical game” Personally, even if it is for a different period, I would love to see a McAdder figure!

Iain has written and has as WIP several other games including a 1970’s Street Wars game and a game of Smugglers, both of which already have some figures sculpted.

stl’s A small range of Reivers characters such as a Thief, a Spy, an Assassin, civilians, animals, as well as an excellent multipart Garrison Men set can be found as downloadable stls on Ian’s myminifactory website link below. These are every bit as excellent as the metal figures and as soon as I have a set I shall blog them.

In my next post shall cover our preperations for the participation ngames and look at the individual figures that make up the different sets and discuss how I painted them

https://www.myminifactory.com/users/flagsofwar

https://www.flagsofwar.com/collections/border-wars/miniatures


Saturday, January 24, 2026

A book Review:The Wars of the Roses by David Grummitt

 

The Wars of the Roses by David Grummitt

Volume 1 The Triumph of York 1455-1461

Published by Helion and Company





















Helion sent a me a copy of this marvellous new history to review. Before I start I should declare that David Grummitt is a friend of mine and we have played games and have drunk beer together, however, I will not let that influence my review, although, on reflection I think he still owes me a beer!

The book is well laid out with the occasional photograph or map and begins with a chronology, as well as a list of abbreviations and acknowledgements and ends with an appendix which is basically a short essay about the Nobility of England and its involvement in the wars. Finally there are several pages of tables containing the manuscript sources for each chapter. In the centre of the book there are ten pages of beautiful illustrations by Bruno Mugnai and a map of the archaeological finds at Towton by Glenn Foard.

Pic Edward IV in London 1461

The Introduction discusses sources and information and lays out how and why the book has been written, to me this felt a little defensive almost like a justification but as I read on I realised why the author has taken this approach, this is a controversial history and he is expecting to be challenged and as you will see, this is probably a wise expectation. This book is different to most narrative histories relying as it does only on the original sources, although it also discusses the accepted traditional narratives and the later sources which inform them. The author uses a deliberate, methodical approach and relates frequently to the contemporary sources and modern archaeological evidence to challenge the current accepted history of events. 

This book will suit best those who have some knowledge of the period and particularly those who seek accuracy in their history and wish to get things right, it is as much a history of what didn’t happen as it is about what did, more so probably, as more of the book is about debunking the myths than stating what the author thinks did happen. The author quite rightly refuses to speculate where there is no original source material to provide information.


The first chapter, the Road to War, clearly lays out the reasons for the conflict and describes the situation in the years preceding the war however, I should insert a word of warning here, the book assumes a working knowledge of the history and process of the WotR and will prove a challenge to readers who are coming to this for the first time. Newcomers to the period would do well to read this after or alongside a more traditional, less detailed history as a primer. 

In the second and third chapters the battles of St Albans, Blore Heath and Ludford bridge are dealt with fairly quickly, the original sources seem to support much of what we know, which is not a lot.

The next chapter on Ireland and Calais was well written and very interesting to me and filled a huge gap in my knowledge of the period, the book is worth having in your collection for this chapter alone.

Chapter five concerns the battle of Northampton which is dealt with in the same thorough manner and spends some time discussing the field defence works and the defection of Grey

PIC Billman , Yorkist army Battle of Mortimers Cross February 1461

The chapter about the “battle” of Wakefield brings the first big surprise. Traditionally this battle has always been portrayed as a large army of Lancastrians catching a smaller army of Yorkists unawares outside of Sandal Castle and wiping them out. Several reasons have been given for this action happening usually in the form of a ruse from the devious Lancastrians -ambushing a foraging party seeking firewood which was reinforced from the castle, a Lancastrian force disguising themselves in Yorkist livery or hiding a detachment of cavalry in a nearby wood. All these narratives paint the Lancastrians as crafty, cunning, treacherous…almost as if the Yorkists had written the history themselves, and none of them are grounded in fact


The same narratives paint a desperate defence and the tragic loss of the Earl of Rutland cut callously down in his prime on a nearby bridge and possibly tortured, and Richard, Duke of York being slain after a brave fight and being beheaded after which a paper crown was fixed to his head.

The author using only the original sources completely destroys these narratives. David writes in a clear and very readable style and uses the terms probably and likely and rarely uses absolutes but discusses various possibilities and where there is no information he says so. This a refreshing style compared to the didactic approach of many historians. 

The author produces a compelling argument dismissing each of the traditional accounts in turn and returning to the original and, more importantly, contemporary sources which declare quite simply that Richard, his son and the Duke of Salisbury were taken by surprise while riding with a small force, captured and then murdered in cold blood. The evidence for this theory was always there, several of the original sources state that York was murdered, none of them mention a battle.

And so we learn that York, Rutland and Salisbury were captured and put to death probably in Pontefract Castle – there was no battle of Wakefield!


pic The Map of the Second Battle of St Albans 


Mortimers Cross and the Second battle of St Albans each have a chapter and are dealt with fairly swiftly, although some time is spent considering the evidence for the approach of the two armies at St Albans as this informs what happens in the battle. The original sources seem to suggest that a cavalry charge may have won the day for the Lancastrians although there is also a suggestion of treachery. Great possibilities for any wargamer seeking to refight this battle.



The chapter on the Battle of Towton is where this book is at its best and it’s most controversial. The traditional account is one of two large armies coming together in a blizzard on large hill, after a skirmish at a river crossing the previous day, with the Yorkists using the advantage of the wind to shoot arrows at the Lancastrians whose reply into the wind and swirling snow was less than effective. There is a narrative that Fauconberg, a  prominent Yorkist, deliberately used the weather as a ruse to get the Lancastrian army to waste their arrows which the Yorkists then cleverly shot back at them. Thus a ruse led to the Lancastrians retreating which became a rout at Cocks Beck, a small but deep river, and there thousands of men were slaughtered, so that fugitives escaping the rout crossed the beck over a bridge of the dead. Towton has always been seen as a decisive defeat of the Lancastrians and with a claimed 28,000 casualties is considered to be Britain’s “bloodiest battle” This narrative has been repeated, unchallenged, in all modern history books for the past century.

The author’s assertion is that there was not one big battle of Towton and that it was instead a series of large skirmishes or small battles that took place all in one day. The author explains in detail his reasoning which is based on the original sources and archaeological evidence and makes a very strong case.

David explains that the sources describe three major skirmishes and a fourth pursuit phase. The first of these  was a large affair near Ferrybridge at or shortly after dawn, followed by one of similar size, a “fluid battle”, later in the day which began at Sherburn in Elmet and ended somewhere near Scarthingwell, later known as Dintingdale, and finally the battle on Towton Dale , which may itself have been a string of smaller skirmishes. It is this last engagement that has been traditionally presented as the decisive set piece battle with the Duke of Norfolk arriving late and swinging the balance of forces in favour of the Yorkists. This it seems is complete nonsense and it’s likely that the Duke was not even present at the battle as he was unwell the day before. No contemporary source mentions the blizzard nor the slaughter at Cocks Beck which was, apparently, a Tudor invention.

David’s account features a cavalry charge from the Lancastrians that nearly carried the day, sweeping away the Yorkist mounted men at arms, and that certainly does not fit with the traditional narrative but will surely be greeted with joy by all red blooded gamers!

The Epilogue brings this volume to a neat end and covers the aftermath of Towton and the reversal of roles of the newly crowned Edward IV representing the safe and rightful government of the realm with Henry VI as the rebel and the Yorkists gradually establishing control of the nation. This closing chapter also deals with the constant threat from France during this period and ends with Edward firmly established but with the Earl of Warwick holding “much of the real power”

This book is literally a game changer! Like all brilliant ideas simplicity lies at the heart of it, going back to and only using the original sources adds a simple clarity. The author does not lightly dismiss the established narrative but considers the sources that it emerged from and discusses their veracity and purpose. Once you have dismissed the Yorkist and Tudor propaganda a nub of truth remains. Wargamers will find it a fascinating read and maybe also a frustrating one as we tend to reach for exact details about numbers, timings and battle sites. I am sure there will be the cries of “why do they have to meddle with everything!!” that greet any such work that questions our understanding of the past. However I believe this honest approach is refreshing and presents the gamer with some interesting choices about how to recreate or refight these battles. Personally, I like the challenge this presents, and I am already making plans to refight Towton (redux) as a short campaign and I am planning to add the Death of York to my list of Ruckus last stand scenarios along with Somerset at the Castle Inn and Warwick at Barnet. Best of all David has given us an excuse to use our cavalry!

I think time will show this book to be one of the most important military histories of our times concerning this particular conflict and it will rest on the same shelf as I keep my other revisionists, with the John  Keegens and the Peter Connollys, after all, if a history is not revisionist, what is the point of it?


David Grummitt is a respected historian and is a Staff Tutor at the Open University, having previously worked at the universities of Oxford and Kent, as well as the History of Parliament Trust. He also holds a position as Director of The Richard III Society and a member of the advisory panel for The Battlefields Trust.  All pictures used with the kind permission of Charles Singleton of Helion and Company